Keep Your WIP Moving With Secrets And Motivation

 

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Keeping plot, action, and dialogue fresh can be a challenge. but Sol Stein can help you with that.

Who is Sol Stein, you ask?

He’s the writer of a great book on craft techniques and strategies, both fiction and nonfiction, and beyond. It’s titled, Stein On Writing. And why wouldn’t it be?

He suggests to spice up your drama, dialogue and plot, maybe give each participant a unique secret, kind of a whisper in their ear. Something that relates to the story, yet only is known by the person speaking. It may be a motive for a particular action, a desire for a specific result, a reason for having a lively conversation in the first place, etc. Provide something unique to each person that only they know to fuel their actions, motive and personal stance within your WIP. And no two characters get the same information at the same time. Intriguing for sure.

But it makes total sense, doesn’t it?

I mean, isn’t that what happens in real life? We take the bits and pieces of available information that specifically pertains to us and use that as our motivation in our conversations and dealings with people. Now, whether any of that information is accurate is a totally different story, but nonetheless, it affects us in everything we think and do.

From his book, Sol Stein says:

“That’s what happens in life. Each of us enters into a conversation with another person with a script that is different from the other person’s script. The frequent result is disagreement and conflict–disagreeable in life and invaluable in writing, for conflict is the ingredient that makes action dramatic. When we get involved with other people, the chances of a clash are present even with people we love because we do not have the same scripts in our heads. And the tension is even greater when we are involved with an antagonist.”

So there ya go, the secret to keeping your dialogue and plot action-oriented and full of drama.

Just like we want it to be.

 

#AmWriting

 

 

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All The Words – NaNoWriMo

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Every November, we get deluged by the NaNoWriMo craze. Maybe I shouldn’t call it a craze, because it is a thing, and well, sometimes we writers need a good ol’ kick in the posterior to keep things moving along, right?

Many proudly proclaim on social media that they are “doing it” this year, meaning writing 50,000 words toward their novel in just 30 days. They register on the NaNoWriMo website, where they’ll be tracked and held accountable. A great feat indeed,  if done properly.

Wait a minute, I said properly, didn’t’ I?

What, did you detect that sarcasm in my typing?

Weelllll, that may be because I’ve already heard the “plans” of some on how to achieve this task, and it seems to me that they’re perhaps more interested in the achievement rather than the actual purpose. And I mean that they’re gonna get those 50,000 words no matter what, because if they get a little hesitant in their storyline, they plan to just start typing random things, like a grocery list, a to-do list, or maybe a blog post. You know, things that aren’t necessarily related to their WIP, but are valid words nonetheless, and when plugged into that word tracker, count towards their 50,000-word goal.

Hmmm…

That’s when my eyes tend to want to roll a bit and a whisper of Whatever! flies through my head. I just don’t see the point of that.

But, I’ve never officially signed up for NaNoWriMo so I may play the same game if I was to put myself in that pressure situation. I can be realistic enough to realize that with everything else going on in my life right now, there is a very good chance that I would not be able to average the 1667 words a day needed to complete this challenge. Oh, I can likely get the words alright, but they would not all be written for a single novel, in the true sense and purpose of the challenge.

That being said, with all the hype that goes along with NaNoWriMo, I do renew and increase my commitment to write more regularly, with more frequency, and be more productive with my writing time, to build better habits if nothing else.  If I happen to hit that 50,000-word benchmark, then good for me. But otherwise, maybe I can start a National Writing Productivity Month, you know, NaWriProMo.

Anybody with me?

PS: If you’ve signed up and are participating in NaNoWriMo, what are you doing reading blog posts. Get to writing! 😎

Hey! Who Is Gonna Take Care Of That Fictional Dog You Just Put Into Your Story?

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It was an easy decision at the time.

I’ll add a cute dog in my fiction. Who doesn’t like dogs, right? It’ll be a great secondary-type character to add to the story, one that will pal around and help show the emotions, attitudes and thoughts of my characters.

A dog will coexist perfectly with the characters, their personalities, where they live, how they live, and so on. It’ll be that little extra that adds another layer of reality to my story.

But then another reality hit me, and while looking around, I shouted, mostly to myself, “Hey! Who the heck is gonna take care of this thing?”

The more I started thinking and writing, the more I realized that I had to account for this fictitious, yet needy canine companion. The characters have to consider the dog when they do things, when they go places, and the length of their absences. It’s going to be there in the evening and overnight. It’s going to be hungry in the morning, and well, it will have to go outside and do it’s thing, which means somebody has to clean up after it does that thing.

My make believe dog is beginning to be just as time-consuming as the real thing, so now I’m wondering if its even a good thing to do, meaning adding a fictional dog to your story. Will there be fictional slobber in my shoes? Will there be fictional chew marks on our fictional furniture? Do I have to spend a couple of hours to find a fictional vet for my fictional dog? Just who is going to take care of this dog? And for crying out loud, what is his name?

As I turned away from writing this, I thought about that old cardboard box graveyard of old, dead Tamagotchis, GigaPets, and Nanos that we once had, way back when, and I feel a sudden, irrational fear and anxiety that my fictional, yet unnamed dog may suffer a similar fate, caused by inattention or just plain forgetfulness later in my manuscript.

Should I adopt this dog, even in a fictional world?

These decisions about getting pets are tough, even in a make-believe world.

He Said, She Said: Dialogue Tags Are Killers

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So I finally worked up the nerve to have the first 3000 words of my WIP read out loud and critiqued at a writing conference.

Gasp!

Yeah, I know, but there I was, in the crowd, waiting for my page to be drawn and read out loud by an actual publishing person, and then judged by other prominent publishers, writers, and agents. And I’m talking about a couple of heavy hitters in the room, recognizable by face as well as name. When I heard my working title read, I tensed, trying to not look too guilty of being the creator of this passage, even though I may have noticeably readied myself a bit more for taking notes. I’ve hesitated to do this in the past, but after revising it a few times based on other classes and advice I had gotten from reading and researching, I felt pretty good about letting this one be judged. Hey, we need to get used to being judged in public settings anyway, right? Why not here, where the learning, and the help, is readily available?

The instructions from the reader to the panel were to listen and read along, and raise their hands when running across anything that would make them stop reading, things like poor flow, bad grammar or vocabulary choice, a boring scene, non believable actions or situations, etc. If during the read, the panel showed three raised hands, the reading was stopped and then discussed. If the reading was allowed to finish, the panelists all took turns critiquing the work, both for what they enjoyed and where the improvements could be made.

Gulp!

My words were read out loud, and I could feel myself silently reciting the chapter with the reader. One hand went up. My eyes caught the motion of a hand being raised. I hoped for an instant that they just had an itch on their head, but no such luck. I panicked a little and started scanning the panel and hoping that there would be no more. The judges remained looking down at their copies of the transcript, intently reading along. No hands seemed ready to bolt up, and as the read was completed, they all seemed intent to listen to more. A big sigh escaped my chest.

But…

Something wasn’t right. While having someone else read my words out loud, I noticed it. So did the judges, by the way, who were all in agreement. Dialogue tags. Too many dialogue tags. The story was good, and the setting built the level of suspense that I had hoped. But the story read choppy, because of all the “he said, she saids” I had inserted. They were killing my pacing while adding extra, unnecessary words to the chapter. I had two people conversing in the entire scene, so there was no need to keep telling the reader who said what. I can achieve that through voice and proper dialogue, which I was glad to discover and learn in a separately offered class within this same conference.

But if it wasn’t for hearing a professional in the writing industry read my words for a set of equally professional judges and experts, I may not have caught this fault until further down the path in my WIP, and that wouldn’t have been good news for writer or reader.

He said it, she said it, they all said it. And I listened.

Good writing!

 

Crayons, Pens, Butcher Paper or Tablets, A Writer Is A Writer, No Matter The Method

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There’s always talk about writing methods, and how to stay organized while telling your story. But I’ll tell you a little secret. I hate outlining. Hate it. Always did, and as far as I can tell, I always will. It just seems repetitive to me. I mean, if you know enough to thoroughly outline a story, why the heck wouldn’t you just write the darn story in the first place?

Does this drop me into the “pantser” category? I suppose, to some extent. But since I know where I want to go, or at least where I want to end up when writing a passage or story, am I a “plotter” also? How do I find out? Do I need to know? Will the discovery of a tag for what I do change me in any way? Would it change you, your habits, or the way you approach writing?

I doubt it. After all, our style of writing is our style of writing, no matter what it’s called. It’s all about the journey, and staying on the path unless the characters in your story tell you otherwise.

I know where I’m starting, and I know how and where I want this thing to end. But the path to get to that point may not be so clear that I can write down a logical series of steps needed to get there. But I know the events that will, and should, happen along the way, including confrontations and character traits and backgrounds, and who I can trust and who raises my suspicions. Is that outlining? Plotting? Just plain old brainstorming? I write down notes and jot down events and scenes, just not in a thorough, step-by-step format with color coded highlighters, stickers, and exclamation points.

I guess that’s why I enjoy writing with Scrivener, even with the tedious, and endless learning curve associated with it. It allows me to write in scenes or separate, divided mini-stories, sometimes, okay mostly out of order, and then put them together later like a giant puzzle that culminates with the end passage delivering the reader where I want and need them to be.

And even better, with a process like this, on those days that I wake up in a mood that mirrors or lends itself towards the specific traits and characteristics of one of my characters, I’m going to be much more in tune with writing about them on that particular day, no matter where their appearances or particular actions appear in the story.

But then, I’m sort of, kind of, outlining in my head aren’t I, since I seem to have some idea of where they are going to appear and with whom they will interact with in this story? Wouldn’t I have to at least know a little about the plot, then, to know the different scenes that are going to occur?

Do I need to sit down and make a quick sketch or diagram of my habits and tendencies, just to make sure I haven’t wrongly categorized myself?

Are you getting as confused as I am about all of this? Should we even care what category we fall in to?

How about we just write as we see fit and are accustomed to?

I say whatever gets you ending the day with words on the paper, screen, or tablet is the type of writer you are, and that’s just the right type for you. (I’m thinking there’s a Dr Seuss saying in there somewhere)

Besides, there really is no category for those of us that sit on the floor, surrounded by sheets of white butcher paper and 64 count boxes of crayons, humming the theme from The Three Stooges while spinning around, jotting down situations for our characters to work through.