Keep Your WIP Moving With Secrets And Motivation

 

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Keeping plot, action, and dialogue fresh can be a challenge. but Sol Stein can help you with that.

Who is Sol Stein, you ask?

He’s the writer of a great book on craft techniques and strategies, both fiction and nonfiction, and beyond. It’s titled, Stein On Writing. And why wouldn’t it be?

He suggests to spice up your drama, dialogue and plot, maybe give each participant a unique secret, kind of a whisper in their ear. Something that relates to the story, yet only is known by the person speaking. It may be a motive for a particular action, a desire for a specific result, a reason for having a lively conversation in the first place, etc. Provide something unique to each person that only they know to fuel their actions, motive and personal stance within your WIP. And no two characters get the same information at the same time. Intriguing for sure.

But it makes total sense, doesn’t it?

I mean, isn’t that what happens in real life? We take the bits and pieces of available information that specifically pertains to us and use that as our motivation in our conversations and dealings with people. Now, whether any of that information is accurate is a totally different story, but nonetheless, it affects us in everything we think and do.

From his book, Sol Stein says:

“That’s what happens in life. Each of us enters into a conversation with another person with a script that is different from the other person’s script. The frequent result is disagreement and conflict–disagreeable in life and invaluable in writing, for conflict is the ingredient that makes action dramatic. When we get involved with other people, the chances of a clash are present even with people we love because we do not have the same scripts in our heads. And the tension is even greater when we are involved with an antagonist.”

So there ya go, the secret to keeping your dialogue and plot action-oriented and full of drama.

Just like we want it to be.

 

#AmWriting

 

 

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Seasons Change, And So Do I…

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Well, here we are, back at that dreaded daylight savings time, or maybe a better name would be the daylight shifting time. Apparently it’s not enough that the sunlight naturally dwindles a bit each day now, because we feel theneed to manipulate our clocks to better match the lighting patterns of the sun.

Shouldn’t we at least get to vote on this?

It really doesn’t matter, I suppose, because I can’t really do anything about it. I just accept the fact that I will, through no fault of my own, lose an hour of my preferred daylight time while some others may benefit from the change.

But does it affect you? More specifically, do your writing habits change with daylight savings time? With the seasons in general?

It does for me, I know that. Being someone that loves to be outside, including being able to sit out there and so some writing, you betcha it changes things. It brings me inside, of course, but it does so without the benefit of natural light. There I sit, darkness the backdrop out of the window, soft light glowing at the desk, and it puts me in a different mood. A wintertime, sluggish, less aware mood. If I liked locking myself in a room to write, I would love this time of year, because that’s what I feel. It’s more of a job than an activity, and it’s harder to get up and get outside to stretch the bones and mental processing.

But here we are, and theres nothing to do but sit my posterior down and put words to paper, whether hot or cold, sunny or darkened.

And you know what? Even if it does feel like more of a job during this time of year, what a wonderful and fulfilling job it is.

Happy writing to you all!

 

Crayons, Pens, Butcher Paper or Tablets, A Writer Is A Writer, No Matter The Method

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There’s always talk about writing methods, and how to stay organized while telling your story. But I’ll tell you a little secret. I hate outlining. Hate it. Always did, and as far as I can tell, I always will. It just seems repetitive to me. I mean, if you know enough to thoroughly outline a story, why the heck wouldn’t you just write the darn story in the first place?

Does this drop me into the “pantser” category? I suppose, to some extent. But since I know where I want to go, or at least where I want to end up when writing a passage or story, am I a “plotter” also? How do I find out? Do I need to know? Will the discovery of a tag for what I do change me in any way? Would it change you, your habits, or the way you approach writing?

I doubt it. After all, our style of writing is our style of writing, no matter what it’s called. It’s all about the journey, and staying on the path unless the characters in your story tell you otherwise.

I know where I’m starting, and I know how and where I want this thing to end. But the path to get to that point may not be so clear that I can write down a logical series of steps needed to get there. But I know the events that will, and should, happen along the way, including confrontations and character traits and backgrounds, and who I can trust and who raises my suspicions. Is that outlining? Plotting? Just plain old brainstorming? I write down notes and jot down events and scenes, just not in a thorough, step-by-step format with color coded highlighters, stickers, and exclamation points.

I guess that’s why I enjoy writing with Scrivener, even with the tedious, and endless learning curve associated with it. It allows me to write in scenes or separate, divided mini-stories, sometimes, okay mostly out of order, and then put them together later like a giant puzzle that culminates with the end passage delivering the reader where I want and need them to be.

And even better, with a process like this, on those days that I wake up in a mood that mirrors or lends itself towards the specific traits and characteristics of one of my characters, I’m going to be much more in tune with writing about them on that particular day, no matter where their appearances or particular actions appear in the story.

But then, I’m sort of, kind of, outlining in my head aren’t I, since I seem to have some idea of where they are going to appear and with whom they will interact with in this story? Wouldn’t I have to at least know a little about the plot, then, to know the different scenes that are going to occur?

Do I need to sit down and make a quick sketch or diagram of my habits and tendencies, just to make sure I haven’t wrongly categorized myself?

Are you getting as confused as I am about all of this? Should we even care what category we fall in to?

How about we just write as we see fit and are accustomed to?

I say whatever gets you ending the day with words on the paper, screen, or tablet is the type of writer you are, and that’s just the right type for you. (I’m thinking there’s a Dr Seuss saying in there somewhere)

Besides, there really is no category for those of us that sit on the floor, surrounded by sheets of white butcher paper and 64 count boxes of crayons, humming the theme from The Three Stooges while spinning around, jotting down situations for our characters to work through.